Review by Gordon Justesen
Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Marcia Gay Harden,
Director: Clint Eastwood
Audio: Dolby Digital 5.1, French Dolby Digital 5.1
Video: Anamorphic Widescreen 2.35:1
Studio: Warner Bros.
Features: See Review
Length: 138 Minutes
Release Date: June 8, 2004
wasn’t ready, Jimmy.”
I said before, Dave…This part, you do alone.”
2003 delivered its
share of remarkable films. Charting in high in the list is the powerful Mystic
When one thinks of
Clint Eastwood, they are likely to think of his larger than life presence as
either a mysterious outlaw or that of a certain vigilante cop. While those
images do come to mind when you hear the name, it’s Eastwood’s longtime
legacy as a filmmaker that people will most likely think instantly of, thanks in
part to the director’s 24th feature film, Mystic River, which I am here to proclaim as his finest filmmaking
achievement, surpassing the seemingly unsurpassable Unforgiven.
Working completely behind the camera, Eastwood’s film has been adapted
for the screen from the novel by Dennis Lehane. It is most striking in that
it’s like nothing Eastwood has brought to screen before, and yet it deals with
a theme he has dealt with in a previous film or two before; that of a character
returning to visit a darker side of themselves they thought was left far behind.
And the way it connects a pivotal event in the past to a tragic event in the
present is nothing short of mind-blowing. This is screenwriter Brian
Helgeland’s finest hour since his Oscar winning work for L.A. Confidential.
Set in a working class section of Boston, the story centers in on three
individual characters who were once close friends, but whose connection
deteriorated following a dark event in their childhood. Jimmy Markum (Sean Penn)
is an ex-convict who now runs a local market. Sean Devine (Kevin Bacon) is a
Boston homicide detective. And Dave Boyle (Tim Robbins) is a part time fix-it
Thirty years ago, the three were inseparable. One day, during an
innocent game of street hockey, a car drives up, a man identifying himself as a
cop hassles the kids for a harmless act of defacing public property. Dave, who
doesn’t live on the same street as the other two, is forced away in the car,
only to be never heard from for the next few days. Although Dave eventually
eluded his abductors, the rest of his youth, along with the bond he shared with
Jimmy and Sean, was shattered from that moment on.
Thirty years down the line, an even bigger tragedy in one of the men’s
lives reunites the three. Jimmy’s 19 year old daughter, Katie (Emmy Rossum),
has turned up dead in a nearby park. Jimmy is devastated beyond belief, as any
devoted father would be. Sean is the lead investigating detective assigned to
the case, along with his partner, Powers (Laurence Fishburne).
For Jimmy, played to utter perfection by Penn in a much deserved
Oscar-winning performance, the loss of his daughter forces him to explore the
darker points of his past. He was once a criminal, and did time in prison just
as Katie was brought into the world. His first wife died not too long afterward.
He’s since remarried to Annabeth (Laura Linney) and has two younger daughters.
Katie was Jimmy’s reason for putting his crooked past behind him, and the loss
has triggered Jimmy’s pursuit of revenge on the culprit, even if it means
resorting to street justice.
The tragedy allows Dave to reunite with his long lost pals, but his
wife, Celeste (Marcia Gay Harden) is put on a level of suspecting. The same
night Katie went missing, Dave comes home to his wife covered in blood. He tells
his wife he retaliated on a mugger, but when Celeste sees no report in the paper
about the incident, and as Dave’s explanation to everyone about his hand seem
to change, suspicions seem to grow even stronger.
And although he should seem as the better off of the three, Sean’s
life hasn’t bettered much. Having been estranged from his wife for sometime,
he receives daily phone calls from her which result in nothing but silence. In
addition, Sean’s partner feels that his personal connection, especially to
that of Dave, an eventual suspect, make him a crucial liability to the
What elevates Mystic River
above the level of a conventional thriller is the authenticity of the
characters, as brought to life by an extraordinary cast of actors. Sean Penn has
long been one of our most important actors, and his high level of range is
illustrated in his performance of Jimmy, one of the most emotionally raw
performances you will ever see unfold before you. The scene where Jimmy erupts
into an emotional rage upon discovering that his daughter has been murdered is a
moment that will never be forgotten.
The same can be said for Tim Robbins, who also won an Oscar for his
performance. The role of Dave is Robbins’ most challenging part to date, and
results in a pure revelation for the actor, who echoes his brilliant work in The
Shawshank Redemption. The story also allows elements of the character to be
revealed more and more as the film progresses. Dave has been emotionally
fractured since the dark incident in his life, but as scenes go on, we discover
that there is more to the man than meets the eye. His interrogation moment with
Sean and Powers is pure proof.
Kevin Bacon instantly admitted during the press release that he was most
proud of his performance in this film than in any of his previous work, and he
is very right to think that. Bacon has delivered many outstanding performances,
and Mystic River is now at the top of
that list. He provides an ever so convincing portrayal of a man in a personal
and professional dilemma. It’s only too bad that Bacon wasn’t able garner on
Oscar nod alongside his headlining cast mates, but his top flight work remains
ever so evident.
Clint Eastwood’s triumph as a filmmaker is illustrated magnificently
in Mystic River, his most masterful
directed piece to date, which is also one of 2003’s truly great motion
BONUS: Look closely and you’ll spot Clint’s old nemesis, Tuco, aka
Eli Wallach as the non-senile store clerk being questioned by Bacon and
Warner has done a
most outstanding job creating what is sure to be regarded as one of the year’s
best video transfers. The anamorphic picture is splendid in its rendering of
every single frame of Eastwood’s striking vision. The Boston setting is key to
the movie, and is very much a character in itself, and this presentation’s
quality reflects this notion terrifically. Colors are at an all time strong
level here, as well. Even the darkest level of shots, as in a pivotal
confrontation in the film’s climax, appear in stunning form. Quite simply, an
Warner’s 5.1 mix
is nothing short of dazzling. To be honest, the sound quality here was a whole
lot better than the multiple times I saw it in the multiplex. Everything,
ranging from dialogue to set pieces to the powerful music score provided by Mr.
Eastwood himself is delivered in the utmost clarity as a single studio can
provide. This is clear cut proof that an audio presentation on DVD can work
wonders on films of any kind, since this is mostly a film driven by its written
words. Highest marks, all the way!
It had not occurred
to me that Warner was actually savoring all of the extras to this exclusive,
3-Disc Deluxe Edition. The standard release is actually selling a whole lot
more, but people may be totally unaware that the extras lie on this release. So
seek this edition out if you desire all of the goods.
Disc 1 includes a
commentary track with Tim Robbins and Kevin Bacon.
Disc 2 has even
more, with two documentaries; “Beneath the Surface” and “From Page to
Screen”, which each include interview segments with cast and crew members who
reveal what it was like to make a movie in such a short period of time, as in
the Eastwood tradition. Also featured is the always engaging Charlie Rose Show
interviews, including individual segments with Eastwood, Robbins and Bacon.
Lastly, there is a teaser and a theatrical trailer.
Disc 3 is the CD
soundtrack to the film, featuring the score composed by Clint Eastwood.