ROAD TO PERDITION
Review by Gordon Justesen
Hanks, Paul Newman, Jude Law, Jennifer Jason Leigh, Stanley Tucci, Daniel Craig,
Director: Sam Mendes
Audio: DTS HD 5.1
Video: Anamorphic Widescreen 2.35:1
Features: See Review
Length: 117 Minutes
Release Date: August 3, 2010
“This is the life we chose, the life we lead. And there is only one guarantee: none of us will see heaven.”
Road to Perdition is a triumph of many sorts, but the most noteworthy of them is the sole notion that a great actor is playing a part that he has never played before. When one thinks of Tom Hanks, you tend to think of the all-American every guy, who's as charming as they come. Even in the more hard-bitten portrayals, such as Saving Private Ryan, Hanks still displays a level of humanity that makes you root for him in the end.
His tour de force in Road to Perdition is a masterful one at that. Hanks slips into the role of a Depression era mob enforcer and creates his most outstanding performance to date. Add to this, a rare screen appearance from legendary actor Paul Newman, and director Sam Mendes in his first directorial piece since his Oscar winning American Beauty, and a stunning production value, and you've got the makings of a one of a kind gem.
Hanks plays Michael Sullivan, a quiet soul who has been given the joy of a life, which has included with it a house and a family. All of this he has been given through his dedicated work for John Rooney (Paul Newman), the boss of the small town who took Michael in when he was young and has looked at the man like a son. Rooney's actual son, Connor (Daniel Craig), is a constant hothead who looks on to his days in the future when he will run the family business, but still is jealous of the attention his father displays on Michael.
What matters most to Michael is that his two sons do not discover what he does for a living, which is killing. One night, Michael and Connor are sent on a job for Mr. Rooney. Sullivan's oldest son, Michael, Jr. (Tyler Hoechlin), through an act of curiosity, secretly tags along by hiding under the back seat of his father's car. All soon goes to hell as Connor flips into a murderous rampage, causing Michael to take out several men with his tommy gun. All of this happens right in front of his son's eyes. Sullivan cannot believe what his son has witnessed.
With everyone in the organization scratching their heads to the tune of Sullivan's son witnessing the act, Connor decides to take matters into his own hands. He plans to put a hit out on Michael, and wipe out his son in the process. Although things don't go down as intended for Connor, an even worse act has been done; Sullivan's wife and youngest son have both been murdered. Realizing that a hit has been put out on his life, and a truce cannot be called upon, Sullivan has no other choice but to hit the road with his son.
What follows is perhaps one of the more harrowing accounts of a father and son relationship that has been brought to the screen in sometime. The father soon teaches the son how to handle the car, as the two prepare to ignite a series of bank robberies to take down only money belonging to Al Capone, following a sour meeting with Capone's assistant, Frank Nitti (Stanley Tucci), in hopes of Sullivan switching organizations. Nitti, who soon has a meeting with Rooney, suggests on hiring an expert hit man named Maguire (a barely recognizable Jude Law) to take out Sullivan.
As mentioned earlier, the production value of Road to Perdition is of pure stunning quality. Not since Brian De Palma's The Untouchables has the gangland scene of the 1930's been brought to life so remarkably, resulting in engulfing the viewer in the atmosphere. One aspect of the film that should be noted is the stunning cinematography by the late, great Conrad L. Hall, who sadly passed away in January. Hall, who also served as cinematographer on American Beauty, displays work here that is of visual poetry, and plays a pivotal role in bringing the era to life. A nice, lengthy, pull out shot of Chicago is a breathtaking moment.
The acting in Road to Perdition is just as masterful as one would expect, and beyond. I really think that Tom Hanks, who is often thought to be the most over-nominated actor at the Oscars, really should have been at the very least nominated for his performance here since it is, above all else, a remarkable revelation. Here you have perhaps the most loved and respected actor in the world, who is all about playing the nice role, trying his hand at the opposite. In playing this role, Hanks has made a smart move by showing his ever diverse range.
The late, great Paul Newman was nominated for supporting actor, and rightfully so. Mr. Newman, whose appearance in any movie at the time was an event, has the more difficult role. Rooney, despite his bitterness for Connor's actions, vows never to give up his son's life to anyone, even if it means ordering the hit on the man he displayed much more affection to. The final confrontation between Sullivan and Rooney is a scene that will not be forgotten anytime soon.
Road to Perdition is a glorious achievement of many sorts. It's both a striking gangster movie, loaded with uncompromising violence, and it is also a touching piece on the importance of the bond between fathers and sons. For my money, it remains Sam Mendes' finest work to date, in addition to being one of the greatest films of the past decade.
When you've seen a movie so many times on DVD, it is hard in most cases to spot a major distinction in the video quality of a Blu-ray upgrade. For this release, Paramount clearly took their time so that the final product would look even more outstanding than the already stunning looking DVD version, which is most certainly the case. I couldn't wait to see how Conrad Hall's final work would show in HD, and it is indeed a treat for the visual senses. And the picture detail remains remarkable in each of the various settings, especially in the Chicago sequence. Even the darker scenes, which there are a good deal of, turn up in striking quality. A rainy set piece late in the film is nothing short of fantastic in terms of detail. And when Perdition is finally reached, prepared to be blown away by some pure visual beauty.
This is a quiet film with moments of intense violence spread throughout it, thus making it an even more effective sounding experience in Blu-ray form. The DTS HD track is hands down outstanding in its balancing of dialogue delivery, the extremely loud bursts of gunfire (the sound of Michael's tommy gun alone will make you jump), and the remarkably haunting film score by Thomas Newman who, just like Mendes, is delivering his best work to date here. Many of the film's magnificent set pieces come to life in the surround sound channels, most notably the aforementioned rainy sequence late in the film. A fantastic upgrade!
The extras also get a bit of an upgrade for this Blu-ray release, starting with a Introduction to the film by Sam Mendes. Also among the new extras is a documentary titled “A Cinematic Life: The Art and Influence of Conrad Hall”, which reflects on the career of the legendary cinematographer, and a neat interactive feature called “The Library: A Further Exploration of the World of Road to Perdition”, which explores the characters, settings and historical inspiration for both the film and the graphic novel that inspired it. And all of the extras from the DVD release are here as well, including a commentary with Mendes, a making of featurette, Deleted Scenes and a Theatrical Trailer. In addition, all of the new extras and the trailer are presented in HD!
For me, Road to Perdition has already earned the status of a true cinematic classic. It contains everything a great movie should have; great performances, engrossing story, brilliant direction, astounding cinematography, remarkable set pieces, amazing music score...the list goes on and on. And Paramount has delivered a phenomenal Blu-ray release that is easily worth upgrading to!