Film review by Gordon Justesen
Technical specs by Michael Jacobson
Stars: Mel Gibson, Joaquin
Phoenix, Cherry Jones, Rory Culkin, Abigail Breslin
Director: M. Night Shyamalan
Audio: Dolby TrueHD 5.1, PCM 5.1
Video: Anamorphic Widescreen 1.85:1
Features: See Review
Length: 106 Minutes
Release Date: June 3, 2008
Signs went on to
become one of the top grossing films of 2002, but what’s even more spectacular
to note is that for a movie of blockbuster status, it is somewhat of an
original. The movie had an intense marketing campaign (and a good one, I might
add) surrounding the crop signs and the possible sightings of creatures in the
film, but lying underneath the story in the film was something much stronger.
This notion can always be reflected in the work of M. Night Shyamalan, who is a
superb talent at creating spine-tingling scenarios and follows through the story
in a very fresh way. He took the same approach with his last two films, The
Sixth Sense and Unbreakable, and has done so once again with a haunting and striking
account of a family who are about to experience their very own close encounter.
Continuing the tradition of Shyamalan setting his stories
in his home state of Pennsylvania, the story takes place in Bucks County,
located not far from Philadelphia. One morning, Graham Hess (Mel Gibson) wakes
up to some suspicious noises coming from his crop field. When seeing that his
two children have already wandered into the field, Graham, along with his
younger brother Merrill (Joaquin Phoenix), is startled to discover that a
mysterious crop sign has developed right outside his home.
At first, Graham thinks the whole event to be nothing more
than a hoax, or a prank put on by some acquaintances. Graham had been a priest,
until the night a car accident claimed his wife’s life. Ever since then,
Graham has completely lost faith in God, and feels that the whole crop circle
may be the work of pranksters who somehow have a problem with Graham publicly
denouncing his belief. Nonetheless, the possible sighting has made news on
television, as similar signs start to appear at numerous locations of the world.
Graham’s son, Morgan (Rory Culkin), strongly feels that the future of the
world’s history is about to be changed forever.
Although Shyamalan’s films have all done staggering
business at the box office, each of his films tend to have both admirers and
detractors, as was the case with The Sixth
Sense and Unbreakable. The main
complaint I’ve noted from the detractors is the pacing of his films, which has
been labeled slow and completely opposite of what the ads promised. What they
seem to not realize is that what Shyamalan is doing is perfecting the art of the
build up in his stories, and in the case of Signs,
which also had its share of detractors, this process is totally necessary.
Shyamalan has done something unique in this film, which is the use of silence as
a weapon of creating tension, which is done on more than one occasion in the
movie. Combined with the genius writing and directing, this risky exercise pays
off incredibly and further more challenges conventional moviemaking for the
For Mel Gibson, this is by far one his strongest performances to date. It’s a different role for him, because it requires him to be in more of a subtle and restrained matter most of the time, and it results in a fantastic piece of acting. The same can be said for Joaquin Phoenix, and even the two young actors, Rory Culkin and Abigail Breslin, who portray Graham’s two children.
I don’t want to give any more story details away because in the case of this film, the effect will work strongly if don’t. All I can say is that the last third of the movie contains some purely chilling moments and nail biting tension. Watching the movie in theaters, I actually jumped a time or two and no movie has been able to make me do that in a long time.
While I don’t label it as M. Night Shyamalan’s
masterpiece (that honor goes to Unbreakable),
Signs is still a remarkable
achievement, and in unexpected ways.
As good as i t looked on DVD,
Blu-ray opens up a whole new world of natural spectacle. Colors are deep,
rich and penetrating, and contrast levels make the natural settings and
interiors more lifelike than ever before. You'll feel like you're
really strolling through the fields, which are inviting at first, but more eerie
as the events unfold. Absolutely beautiful.
t looked on DVD, Blu-ray opens up a whole new world of natural spectacle. Colors are deep, rich and penetrating, and contrast levels make the natural settings and interiors more lifelike than ever before. You'll feel like you're really strolling through the fields, which are inviting at first, but more eerie as the events unfold. Absolutely beautiful.
With Dolby TrueHD, an already ambient soundtrack becomes even more so. What was noticeable nature noises becomes distinct, with more clarity and more detail. Dynamic range is potent, and the surrounds keep you in suspense from the tones emanating from all directions.
The disc starts with a making of documentary, which is broken
into six segments and clocks in at about an hour’s length. Also featured are
several deleted scenes, multi-angle storyboards, as well as a glimpse of M.
Night Shyamalan’s first ‘alien’ film, which the director easily admits,
isn’t that great.
Signs is startling entertainment and remarkable filmmaking all rolled into one. It might not appeal to everyone’s certain expectations, but those who admire M. Night Shyamalan’s work will no doubt be thrilled.