Review by Michael Jacobson
Crosby, Danny Kaye, Rosemary Clooney, Vera-Ellen, Dean Jagger, Mary Wickes 12,
Director: Michael Curtiz
Audio: DTS HD 5.1
Video: Anamorphic Widescreen 1.85:1
Features: See Review
Length: 120 Minutes
Release Date: November
"May your days be merry and bright...
And may all your Christmases be white!"
In Bob Hope's excellent autobiography, Don't Shoot,
It's Only Me, he recalls listening to master composer Irving Berlin
playing "White Christmas" for the first time.
He observed in his narrative that Mr. Berlin could only play the white
keys on the piano, and had an instrument specially made with a pedal on it that
he could use to transpose the notes into sharps and flats when he needed them.
"Irving never learned how to read music," Hope recalled.
"He was too busy writing it."
That song, with the unmistakable vocal by Bing Crosby,
would go on to become the biggest selling single ever at the time, and would
later serve as a title track for 1954's most popular movie, which of course,
would star the popular crooner and feature him singing the song he helped make a
holiday staple. Historically, it
would also introduce VistaVision to the world of cinema, one of the earliest
widescreen experiments where the 1.85:1 image ran horizontally through a
projector rather than vertically. But
the film holds much more importance for me than just its history.
I cherish White Christmas as one of my family's
only real holiday traditions growing up. It
was a favorite of my mother's, and I can still remember the first year she
brought it home on videotape and more or less forced me to watch it.
Hey, I was a kid. I was into Star Wars, not watching some movie with a
bunch of old people in it. But you
do what you have to do around Christmas time to be good and get that loot, so I
begrudgingly sat down and watched it with my mom and dad, at first just hoping
the thing would be over quickly.
But it didn't take long for my Grinch-like heart to warm
up to the movie. It starred
‘old' people all right, but I found both Bing Crosby and Danny Kaye to be
hilarious in their banter. The
music, by Irving Berlin, was lively and fun, and the dancing was light and
energetic. When the two female
co-stars entered the scene, I was even more entranced.
Rosemary Clooney? I had seen
her in a number of guest spots on variety TV shows, and always thought she was
cool. She was a big woman with a
big voice, big laugh, and big smile. And
here she was...very young and very beautiful, but still with that unmistakable
voice. And in Vera-Ellen, I found
the woman whom I still believe to this day is the female version of Fred
Astaire. Her dancing was
astounding: athletic, yet graceful,
physical, yet beautiful. I was
pleased to learn in the retrospective on this disc that MGM had considered her
the greatest female dancer they had.
And the story was winning, too, though it took me a little
time to realize it. I was
complaining at the opening shot of a snow covered village that was obviously a
flat painting. Then the camera
pulled back and revealed that it was meant to be just that...the backdrop
for a simply produced army show where two song and dance men turned soldiers,
Bob Wallace (Crosby) and Phil Davis (Kaye) were bidding a musical goodbye to
their commanding officer, General Waverly (Jagger).
After the war, Wallace and Davis form a partnership that
takes them to the top of the show biz world, where they eventually meet up with
two sisters of an old army buddy, Betty and Judy Haynes (Clooney and Ellen).
As Phil and Judy begin an elaborate plan to link Bob and Betty
romantically, their journey takes them to Vermont in time for Christmas.
However, there's an unusual weather problem there:
no snow. And when it turns
out the inn that booked the Haynes sisters is owned by none other than Bob and
Phil's old friend General Waverly, the foursome realize they have to do
something to help bring the tourists back despite the lack of snow.
That's the story in a nutshell, but the film is much more
magical than just a plot. Sure, the
notion of Wallace and Davis staging a big production at the general's Vermont
inn is just an excuse for several lavish production numbers that otherwise have
no bearing on the story, but...come on! Those
numbers are fantastic! From the
opening minstrel number "Mandy" to the kooky spoof "Choreography", to
the breathtaking "White Christmas" finale...can you really complain?
And peppered into the story are the songs that enhance the moods and move
the tale forward, particularly the beautiful "Count Your Blessings" number,
and the absolutely marvelous "The Best Things Happen While You're
Dancing", a dance number between Danny Kaye and Vera-Ellen that's as good as
any male-female dance to ever come out of Hollywood.
These are four stars doing what they do best.
For Mr. Crosby and Ms. Clooney, that's singing, and the film is smart
to pair them up on the "Blessings" number.
Of course, Bing takes his solo on his famed "White Christmas" number,
but thankfully, Rosemary gets to show off her pipes as well, with one of Irving
Berlin's best tunes, "Love, You Didn't Do Right By Me".
Her sultry, soulful rendition is a real show-stopper, as is her black
velvet gown with the diamond broche on her backside designed by legendary
costumer Edith Head.
For Mr. Kaye and Ms. Ellen, it's the dancing, which makes "The Best Things" such a treat. And
not enough can be said about Vera-Ellen, who made only a few pictures and just
one more after this one before choosing to retire.
She is by far the best female dancer I've ever seen on screen, and has
the tiniest waistline I've ever seen, to boot.
So, you put it all together, and what is there to complain
about? That the story is
threadbare? Yes, that's true, but
it's such a modest, sweet story in the best spirit of the holiday season:
how a couple of entertainers get to help out their old commander by doing
what they do best, as well as fall in love along the way, naturally.
Leonard Maltin has called "What Can You Do With a General" the least
memorable of Irving Berlin's songs. Probably
true, but isn't "White Christmas" the most memorable?
And let's not forget the treasure trove of other Berlin classics, like
some of the aforementioned numbers, "Heat Wave", "Snow" and others.
The fact is, White Christmas holds a special and
sentimental place in my heart as a holiday tradition that takes me back to my
youth. Laughing with my family,
singing along to the songs once I knew them all by heart, applauding the snow
that finally falls at the end...I guess everybody has one special movie that
brings their childhood back to them. For
me, it's this one, and for better or worse, no one will ever convince me
it's not one of the great ones.
FINALLY. I have been grumbling about one shoddy DVD presentation after another for years, and finally, this Blu-ray gets this classic right. It was the first VistaVision picture, which was meant to be a higher definition film stock, but you never would have guessed before now. The difference is night and day, or Christmas with or without snow. The Technicolor presentation is crisp, bright and beautiful throughout. Gone are the annoying bits of grain and color bleeding. It was worth the wait.
The new DTS 5.1 mix sounds a little
fuller, but like most new mixes of older soundtracks, doesn't really venture
into discreet channel usage much. In
fact, I didn't notice any action from the rear stage at all, nor much in the
way of even stereo action from the front one.
The .1 channel carries a bit of the bottom end from both Bing Crosby's
and Danny Kaye's lower registers, as well as some of the bass from the music.
All in all, a good enough listen, particularly for a film that was
originally in mono...just not particularly adventurous for a new surround mix.
The treat on this Blu-ray is Rosemary Clooney's commentary track, which is the most personable I've
yet heard on a disc. It really feels
like she's sitting beside you on your couch, watching the movie with you and
sharing her stories. There are
moments when she's quiet and lets you enjoy a musical number...I love, for
example, how she stayed quiet in the opening while Bing sang "White
Christmas". "Perfect," she
muses afterwards. "Just
perfect." Her sense of humor and
self-depreciation is a treat, too. Sometimes,
she shouts advice at herself on screen: "Nice
hair, Rosemary!", with a laugh. It's
clear she had great love for her cast mates and a lot of fun making the picture,
but the warm homey style she brings to this track is winning.
You almost expect to feel her reach over and tap you on the knee while
she makes a point! At one point,
she even sings a couple of lines along with the movie, and laughs about it.
Some tracks are better than others, and this one earns the disc an extra
˝ star in this department.
In addition to two trailers, there was a nice retrospective on the film featuring new interviews with Rosemary Clooney, and new featurettes "Backstage Stories", "Rosemary's Old Kentucky Home", "Bing Crosby: Christmas Crooner", "Danny Kaye: Joy to the World", "Irving Berlin's White Christmas", and "From Page to Stage".
White Christmas is a fun, musical sprinkling of holiday cheer that for me, never loses its appeal. It boasts great songs, great production numbers, and great stars doing what they do best. For me, Christmas has never been complete without it.